From Frances Palmer’s cloud study in porcelain, the Cirrus Scalloped Plate is the slightly more playful counterpart to the Octagonal — less restrained, more inclined to drift. The reference remains the cirrus formation, though here it feels gently stylised.

The rim moves in a soft, repeating scallop, introducing a rhythm that feels intentional rather than ornamental — a controlled deviation from the expected line. Creamware lends a slight translucency, carrying the trace of the hand — present, but not overthought.